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Streaming + Download
Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.
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Compact Disc (CD) + Digital Album
Double CD packaged in DVD case. Unfortunately only able to ship in US at this time.
Includes unlimited streaming of Spaceship for Sale via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 3 days
Purchasable with gift card
$25 USD or more
about
In a future world where esoteric Lunar Caliphates are in unrelenting decline, where i-Spleen technology has become ruthlessly pervasive throughout the inhabitants of the Third Dimension, where long-standing power structures exist in states of general decay and gradual upheaval, a man by the name of Ibrahim Pasha and his intimate business associate, “J_!!1,” are trafficking cocaine as a primary source of income.
Working in close concert with the Guistiannini Syndicate, a semolina-based usurper of what used to be Caliphate terrain, Pasha is supplied outside Pluto, distributes in Manhattan, and generally spends his free time at the clubs on the Moons of Uranus.
Yet on one fateful afternoon, Pasha and J_!!1 are suddenly robbed of both their narcotic supply as well as their spaceship. Ibrahim, well known within the Solar System as a man somewhat prone to tumultuous bouts of caprice, follows his immediate instinct—tracking down the perpetrator and murdering her in cold blood.
What remains unclear, however, is which parties are declaring war on this final descendant of an original Lunar Caliphate—and to what purpose?
credits
released May 31, 2024
Written and composed by Apostolos Katsafanas for Blue Velvet Review Records 2024.
Spaceship for Sale was composed by using two Fibonacci intervals to create text-based "discrete units" that inform the entire composition. A lot of music talks about being text-based but most of it simply melds lyrics onto previously existing harmonic musical concepts.
The first Fibonacci interval is 34-55. Spaceship for Sale is a 16,000 word text where each line contains between 34 and 55 syllables per line. Chunks of the text were then rapped into an iPhone Voice Memo recorder. These recordings were the "discrete units" that all other musical components are derived from.
The second Fibonacci interval is 233-377. There are 1.42 syllables per word in Spaceship for Sale. If we use 233 as a Syllables Per Minute calculation, then for S4S that imputes (233/1.42) 164 Words Per Minute. This is about the average speaking tempo for American English.
Time changes things essentially. This is something Robert Ashely discusses in his conception of American Opera. At 377 syllables per minute American speech (IMO) becomes a distinct musical line. The 47 voice memos of S4S in aggregate have a tempo of 380 Syllables Per Minute (SPM), about 1% from the 377 Fibonacci figure. (The 48th is a "Document Insert" spoken by Paul Perry at a normal speaking tempo.)
The interval 34-55 dictates the line length of the text. The interval 233-377 dictates the tempo of the text.
These "discrete units" of voice memos, irreducible in form, then inform the drone sequences. Divide 380 SPM by 4 and you can impute a 96 BPM at 4/4 for whole note drones. This puts each syllable in the context of being *approximately* a 16th note within the context of the drones. The drone sequences are essentially modular, they can be rearranged with the voice memos if needed.
From that elements like percussion and taqsim can be and were added as needed.
license
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